a riveting drama of America’s first “crime of the century”

Murder in a Mill Town

Sex, Faith, and the Crime that Captivated a Nation

A master storyteller presents a riveting drama of America’s first “crime of the century”–from murder investigation to a church sex scandal to celebrity trial–and its aftermath.

In December 1832 a farmer found the body of a young, pregnant woman hanging near a haystack outside a New England mill town. When news spread that Methodist preacher Ephraim Avery was accused of murdering Sarah Maria Cornell, a factory worker, the case gave the public everything they found irresistible: sexually charged violence, adultery, the hypocrisy of a church leader, secrecy and mystery, and suspicions of insanity. Murder in a Mill Town tells the story of how a local crime quickly turned into a national scandal that became America’s first “trial of the century.”

After her death–after she became the country’s most notorious “factory girl”–Cornell’s choices about work, survival, and personal freedom became enmeshed in stories that Americans told themselves about their new world of industry and women’s labor and the power of religion in the early republic. Writers penned seduction tales, true-crime narratives, detective stories, political screeds, songs, poems, and melodramatic plays about the lurid scandal. As trial witnesses, ordinary people gave testimony that revealed rapidly changing times. As the controversy of Cornell’s murder spread beyond the courtroom, the public eagerly devoured narratives of moral deviance, abortion, suicide, mobs, “fake news,” and conspiracy politics. Long after the jury’s verdict, the nation refused to let the scandal go.

A meticulously reconstructed historical whodunit, Murder in a Mill Town exposes the troublesome workings of criminal justice in the young democracy and the rise of a sensational popular culture.

Praise for Murder in a Mill Town

“a legal thriller”

“Murder in a Mill Town is a murder mystery, a sex scandal, a legal thriller, and a crystal-clear primer on how the rise of capitalism transformed the most intimate aspects of American life—all rolled into one. It is an essential read for anyone interested in true-crime tales and their hold on American culture.” 

— Debby Applegate, Pulitzer Prize-winning author of The Most Famous Man in America and Madam

“urgent, illuminating, and haunting”

“A young mill girl. A married minister. An inconvenient pregnancy. A suspicious death. A sensational murder trial. Bruce Dorsey’s deeply researched account shows that … the tragedy of Sarah Maria Cornell remains urgent, illuminating, and haunting.” 

— John Wood Sweet, Bancroft and Parkman Prize-winning author of The Sewing Girl’s Tale: A Story of Crime and Consequences in Revolutionary America

“great true crime”

“There are so many moving parts synthesized so artfully …. great true crime …. In his precise writing and masterful contextualizing, Dorsey doesn’t offer an opinion. He lets the horror of our culture speak for itself” 

— Tony Russo, New York Journal of Books

“an approachable entry into a tumultuous period”

“Through a compelling story of normal people, Dorsey creates an approachable entry into a tumultuous period in American history.”

Choice, April 2024 (“Recommended”)

“brings his characters to life on the page”

“This is a story of ordinary people living in exceptional times, who find themselves caught up in a rapidly changing world . . . . In strikingly accessible prose, Bruce Dorsey brings his characters to life on the page.” 

— Karen Halttunen, author of Murder Most Foul: The Killer and the American Gothic Imagination

“a riveting, true crime narrative”

“Dorsey provides a riveting, true crime narrative surrounding the death of a young, pregnant, unmarried factory worker”

— Lucie-Anne Dionne Thomas, Newport This Week

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